Tabora Najim and the Turkish Drop
(or Verbalizing Middle Eastern Dance) Habibi: Vol. 3, No. 7 (1976) Egyptian films were shown once a month at […]
The Saga of the Coin Girdle
Habibi: Vol. 3, No. 5 (1976) I look around me at the seasoned dancers who wear the all-coin girdle [belt]
The Greek Village
(Hollywood, USA, 1950) Habibi: Vol. 2, No. 4 (1975) The word got around that an oriental restaurant was opening
Memories of My Dismal Debut
(Los Angeles, 1947) Habibi: Vol. 5, No. 2, (1979) Hyganoosh prodded me to make my public debut on the basis
Morocco
Habibi: Vol. 2, No. 2 (1975) In 1945, survival was the daily topic at the dinner table of the Takorian
Hyganoosh
Habibi: Vol. 1, No. 2 (1974) After World War II, Los Angeles was a city in which apartments were at
Jamila
Habibi: Vol. 2, No. 1 (1975) I was born in New York City to Sicilian-born parents, Angela and Thithiniu, and
The Sanford Meisner Method and Belly Dance
I sought out teachers and experiences that would develop me as a person and an artist. I attended several acting
Choreography and Improvisation
The Connection Jamila Salimpour often said: “Choreography should look improvised, and improvisation should look choreographed.” Suhaila Salimpour grew
Salimpour Vocabulary
The Salimpour Vocabulary also called the Jamila Vocabulary, was researched and developed by Jamila Salimpour from the 1950s through the