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Duotone panel — violet briefing on the left, lime-sealed detail sheet on the right.
The glaze is very rich and textured from the outside
The oil is kept cold and unfiltered to preserve its raw qualities and stored in temperature controlled stainless steel tanks until bottling
with the inner stamen emerging beyond the edge of the outer petals
Each is adorned with decorative pieces of glass called prunts which are shaped and added while the glass is still molten
This form sits low like a traditional bonsai
#31 Small Hisago Vase Preview The glaze is very richFor Akio Nukaga throwing on the wheel is a technique close to his heart, one that he can always rely on. This piece features his signature Pleated Work technique of carving grooves into the wet clay after it is thrown on the wheel. These grooves accentuate the profile of the vessel creating movement and rhythm. Akio finishes the vessel by applying different colored slips (liquid clay)a technique he has refined over the last 30 yearsto create richly
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