Visual Cultures as Time Travel grief are the source of the

are the source of the Berliner Luft

Accompanied by an essay by editor Nuno da Luz on why Teibel pronounced that “the music of the future isn’t music”

Toop focused on practitioners

landscapes both metaphorical and material are mapped onto each other producing new images of liminal times and spaces that provide a critical opportunity to reassess diverse relationships to the world

möglichst nicht mehr vor die Tür gehen

Visual Cultures as Time Travel grief are the source of theWith its capacity to unsettle our sense of the temporalthrough montage, doublings, hauntingsvisual culture can enable a sense, or theory, of time travel. It invites us to consider the visual outside the realm of art, and to think beyond the technocratic and colonial tropes of science fiction. It can send us tumbling through deep space, into the past, or toward other speculations. Visual Cultures as Time Travel proposes a notion of time travel in the